One day Sabicas took Rico aside and told him, “My son, I want to play a guitar you made for me.” Bernie Rico made his first guitar for Sabicas. As it happened, ironically enough, Rico had a friend named Bobby Rich who had adopted an Hispanic stage name, Roberto Rico. He had an assistant working for him who suggested that he start getting more avant guarde in his finishes. “I remember I had to go over to Hollywood to get advice about how to wire the guitar once it was built,” recalls Rico. Rico recalls sitting around with other guitar makers, including Rick Turner of Alembic fame, discussing the potential merits of neck-through construction. Basically you get the octave differentials and tonal contrast of the bass wound/plain pairs combined with two single strings (versus unison pairs on a 12-string) for treble lead work. Rich designs, including the Bich, were pretty much collaborative efforts. One of these was the Son of a Rich, which was basically a bolt-neck Bich. ‘When are you going to make that guitar,’ he asked? Soon Lita Ford got one, and Nikki Sixx of Motley Crue got a Warlock bass, and the model took off. Prior to 1981, all headstocks were the assymetrical three-and-three design. Rich continued to make acoustic guitars using highly skilled Mexican craftsmen until 1982, when Rico’s head craftsman died. Raves and Platinums Soon thereafter Rico engaged a different Korean factory to begin producing the down-market Rave and Platinum Series guitars, this time, unlike the U. Mason Bernard guitars were basically conventional Strat-type guitars, based on the previous B. Rich Assassin model, with the standard Superstrat humbucker/single/single pickup arrangement. Rich name reverted back to Bernie Rico, and he was happily again at work at his drill press making B. Rich guitars, which began to be offered in the Fall of 1994. Back were the Eagle, Mockingbird, Bich, Warlock, Assassin, Ironbird, Gunslinger and ST guitars, plus the Eagle, Mockingbird, Bich and Innovator basses. Rich guitar was stamped “Proto,” beginning in 1972, and subsequent guitars were consecutively numbered beginning 001, 002, etc. Thus, the first guitar of 1974 would have been numbered 74000, followed by 74001, etc.
Also, if the bass has crappy pickups it sounds muddy. Cleveland Eaton(jazz bassist who played with Ramsey Lewis and Count Basie to name a few) said “If it can’t be played on 4 strings, then it don’t need to be played.” This is the truth!!
You MUST have a great amp that can handle the low B frequencies and still sound clean.
Regarding quailty, I have owned many of both these Japanese guitars and it is a fallacy that the than the Mexican made guitars and rival many of the USA models.
The JV and SQ guitars, as well as some of the E series, had USA parts (mostly pickups, switches, and potentiometers) that were shipped over to Japan to help speed up production while the new USA plant was being set up in Corona, California.
For instance, many of the MIJ/CIJ Telecasters have the serial number on the bridge and they start with an "A".
Yet if you take the neck off they can be 1994-1997!
Click To Read More About This Product Gear returned in great condition, with only minor signs of use, such as slight scuffs or pick marks.
It looks and plays like new and may be considered an equivalent to display units found in retail stores.
The Fender Standard Jazz Bass has the classic offset, contoured alder body with standard pickups and controls for definitive J Bass sound.